Whether you read comics for escapism or simply for entertainment, at their most fundamental level this medium is about transporting a reader away from one place and to another. Sometimes this happens through a deep and complicated book like David Mazzucchelli‘s wonderfully dense epic Asterios Polyp and other times it can be as simple as reading a Superman comic for the sheer gravity of nostalgia. With the magnitude of new material to sift through each week, it can be difficult at times to find a book that genuinely takes you by surprise. On such rare occasions you find yourself enjoying a book you had little faith in at first glance. Case in point with the six issue limited series Astonishing Spider-man and Wolverine.

Upon hearing about this title my first thought was, “Why do we need yet another book featuring these two characters?” Between their own titles, guest appearances, and being card-carrying members of two Avengers teams they probably show up at least two or three times a week in new comics. I thought Marvel might be over-inundating a market already drenched in these characters. However, upon realizing the book was created by writer Jason Aaron and Adam Kubert, I figured it might hold more promise than I initially thought. So I read the first issue, and lo and behold I found myself in one of those rare occasions of being pleasantly surprised by a book and enjoying it more than I thought I would. How exactly did this happen?
The success of this book probably owes some debt to the fact that it exists under Marvel‘s Astonishing line. This particular Astonishing book is perhaps the best example of how this line works to great (and entertaining) effect. Free from the confines of continuity, Aaron and Kubert throw the characters into a world without heroes, recognizable supporting casts, or anything they’re used to dealing with day to day. In the first three issues alone we see a bearded Spider-Man cataloging human-sized insectoids, a robot Devil Dinosaur, a Phoenix Gun, and (most entertaining) Doom the Living Planet. The result is unadorned, direct comics fun.

Under the Astonishing umbrella Jason Aaron is really able to play to his strengths. As with his work on Scalped or Ghost Rider, here Aaron is unafraid of writing big action scenes, but does so while still managing to adhere to what makes the characters unique. Many writers have approached Spidey and Wolvie from the standpoint that they must get along with each others since they’re both heroes. This approach ignores the fact that they’re very different types of characters with very different motives. Aaron takes the perspective that even if they’re the last two heroes on Earth they still wouldn’t get along. Alone in a dangerous world, not only does the duo not work together, they completely avoid each other. We’ve seen Aaron’s understanding of Wolverine with his work on Wolverine: Weapon X, but we’ve not yet seen him really interpret Spider-Man. I was pleasantly surprised to see how he walked the spider line between Spidey’s wiseacre tendencies and scientific genius. One of Aaron’s great strengths as a comics writer thus far has been his ability to take characters both overused and underused and put his own logical stamp on their identities. I’ve never been a big fan of Ghost Rider or Wolverine but I love the way Jason Aaron writes them. His characters walk and talk like you’d imagine they would (or should) in a comic book. That’s about as high a compliment as I can pay a writer. Also, if you are a fan of Jason Aaron you should give his column for Comic Book Resources a read. He gives really good insight into his work and into the industry in general.
Artistically, Adam Kubert was a wise choice to bring this book to life. This guy’s proven himself capable of handling some of Marvel and DC‘s A-list characters, including a memorable run on Wolverine in the ’90’s. What I appreciate most about Kubert’s work in this series though is the scope in which he illustrates this story. There is a foreboding sense of danger we feel when viewing the heroes in a savage wilderness. Aaron’s writing alone might not conjure the severity of the predicament facing the heroes as they jump from troubled place to more troubled place.

It is Kubert’s art that brings us directly into the cross-hairs. With expansive background detail which only adds to the awareness of the story’s impending dread, Kubert is able to take one of Aaron’s most adventurous scripts to date and match it’s energy and joy for comics. While some of you might have thought Kubert’s already done the work of his career, this series reminds us that he’s still a viable artist who continues to turn out intelligent and visually impressive work. Like his legendary father Joe, Adam’s an artist who will still be creating fun comics for decades to come.
We live in a time where comics are in abundance. As a result, it’s not difficult for readers or retailers to get jaded about the state of the industry. After all, I freely admit to being skeptical when I saw this book solicited in previews. Why must Spider-Man, Wolverine, and other characters (ahem, Deadpool) appear in so many books week after week? Ultimately the answer is that people continue to buy these titles. So if you’re among those who are frustrated by a marketplace seemingly flooded with books featuring some of these characters, you owe it to yourself to find the best on which to spend your money. This is one of those books. I doubt you’ll find a better comic featuring these characters that is so unbound to continuity ties, and where a grand storyline doesn’t mean that the characters are poorly written and illustrated. We’re only three issues into this surprising joyride of a miniseries, so pick them up if you want to read fun comics again.