Author Archive

COMICS INDUSTRY :: Brian Michael Bendis Interview At Onion AV Club

August 13, 2007 By: Dustin Harbin Category: Comics Industry

Thanks to the ever-vigilant eyes of Dirk Deppey at the Journalista! blog, I can pass on to those of you who don’t already know that last week was Comics Week at the Onion AV Club, and besides Mr Bendis, there are also interviews with Bill Willingham, Joss Whedon, and more. However, if you’re of a sensitive nature, watch out–some of these guys are big on the swears. Don’t say I didn’t warn you, Mom!

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HEROESCON :: More Art Auction Photos!

August 10, 2007 By: Dustin Harbin Category: HeroesCon, Photos


Quick note before lunch (I’m famished!): I just put up some more photos on our Flickr page: check em out!

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SLICE OF LIFE :: Toronto Comic Arts Festival!

August 10, 2007 By: Dustin Harbin Category: Comics Industry, Other Events, Slice of Life

Next weekend I’ll be attending this year’s Toronto Comic Art Festival, aptly located in Toronto, Ontario. I’ve been curious about this somewhat new convention for a while now; it has a hugely positive reputation among creators and the attending public (just like us), is run by a well-respected, pro-active comics store (us, too), and promotes appreciation of and participation in comics and the comics industry (that’s so us!). Their guest list isn’t too shabby either, including Darwyn Cooke, Paul Pope, James Jean, Chester Brown, Seth… et cetera. With any luck I’ll be bringing back some guest list announcements for HeroesCon; but I’ll definitely be up there promoting the show, hobnobbing, and generally trying not to embarass us in front of Canada, or pee myself while talking to Chester Brown. Wish me luck! For more info check out the TCAF site! Not to mention The Beguiling, the store that organizes the show–besides being a nice shop, they sell TONS of original art on their site.
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REVIEW :: Scalped Volume One TP

August 10, 2007 By: Dustin Harbin Category: Reviews


Writer: Jason Aaron
Art: R.M. Guera

reviewed by Todd Harlan

I hate the word epiphany, so let’s just say I came to an understanding about myself when I read this book: I get uncomfortable reading about a character’s fictional circumstances that I understand to be typical of a great many people in reality, especially when those circumstances are the result of racial marginalization, extreme poverty, and a society—of which I am a part—that allows such things to continue in 2007. But that’s one thing good stories do—they confront and broaden the reader’s perception of his or herself, their values, or their perception of what’s going on around them, all while seducing them into turning to the next page—no easy feat.

Scalped does just that. It’s the story of “Rez Cop”, Dashiell Bad Horse and Tribal Leader, Lincoln Red Crow, set on the fictional Prairie Rose Indian Reservation. Over the years, Red Crow has amassed an extraordinarily high body count to create an organized crime empire, culminating in the realization of his dream: the grand opening of the Crazy Horse Casino. Enter Dashiell Bad Horse, who, as a punk teenager, abandoned his mother and the reservation for parts unknown, and wound up as an agent for the FBI. His assignment: Infiltrate Red Crow’s organization and take it down.

Jason Aaron’s strengths lie in dialogue that allows his characters to transcend the panel—to get up and walk around on the page, and it’s these fully-realized characters that propel this mix of western and noir forward at a tight clip. But be warned: it’s not for the faint of heart. R.M Guera’s graphic depictions of squalor, sex, violence will leave a lasting impression. Too he’s one of those artists who can maintain a high degree of clarity while employing a busy line against a large amount of black space. It’s a perfect compliment to Aaron’s narrative.

And hey, if social commentary in your comics bores you, there’s plenty of story to be had. Best of all you can get the fist five issues for a measly ten bucks, so give it a try.

Have I ever steered you wrong?

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REVIEW :: Uptight #2

August 09, 2007 By: Dustin Harbin Category: Reviews


Actually, I’m going to refer you to Tom Spurgeon‘s excellent Comics Reporter blog, where he reviews Jordan Crane‘s new Uptight #2. This came out last Wednesday (I think), and I loved it so much I’d planned to share my love with all of you; however, time is short, and Mr Spurgeon has done it better than I probably would have, and certainly with less words. Check it out!

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HEROESCON :: Heroesonline Flickr Page Goes Live!

August 03, 2007 By: Dustin Harbin Category: HeroesCon, HeroesCon News, Photos

Check it, all y’all:
http://www.flickr.com/photos/heroesonline
Now, I’m still working out all the kinks, as far as the order that photos should display in, labels, sets, blah-blah-blah, BUT the page is up, seems to be working, and took a million less years than it would have if I were doing it all the old way, by hand, coding each, etc. Of course, the photos currently up (all by the very generous Gary Corbin) are just the teensiest tip of the photo iceberg, but I’ll continue to update with more, and then gradually start working my way backwards through the history of the show, at least the history I have photo documentation of. And of course I’ll let you know here on the blog whenever I add anything. Enjoy!

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NOW DISCUSS :: Frequently Asked Questions?

July 31, 2007 By: Dustin Harbin Category: DISCUSS, HeroesCon


Well, we’re seeing some good discussions break out on the blog here, and I have to assume that will only grow, as you guys notice this new vector of hours and start chiming in. And if there’s any way we can put our customers to work for us, we’re always on the lookout.

To that end: I’m in the middle of totally revamping our website, which will feature all sorts of new hotness, as well as some of the old coolness you’re used to. One of the newer features will be a long-demanded (by Shelton) Frequently Asked Questions page for the convention. Now, while it’ll probably be another month or so before this new website actually sees the light of day, I thought I’d go ahead and start gathering some Questions which may or may not be Frequently Asked right away, for when the time comes.

So: What is it you’re always Frequently Asking? Remember, we do have brains, so we’ll probably be able to figure out most of the obvious ones. What I’m looking for are the weird ones. For instance, “Does HeroesCon have a costume contest?” is one we get a lot. Another might be “Can I get a half-priced parents pass as an advance ticket?” (the answer is No). Et cetera. Lay it on me. And if you’re thinking of asking a “funny” question, no one ever asks those, so don’t bother. I’m talking to you, Daniel.

Now Discuss! (Frequently Asked Questions, not young Daniel.)

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Bob McLeod and Sean Taylor Join HeroesCon ’08 Guest List!

July 30, 2007 By: Dustin Harbin Category: Guest List, HeroesCon, HeroesCon News

This just in! Legendary artist Bob McLeod will be returning to Heroes Convention next year. It’s hard to think of an artist with a finer pedigree, or who has worked on more books over the years than Bob. Just a partial list of his credits includes Spider-Man, The Incredible Hulk, Star Wars, X-Men, Fantastic Four, Iron Man, Conan (deep breath), Captain America, GI Joe, Superman, Batman, Wonder Woman… never mind, there’re too many to list here. Anyway, we’re pleased as punch to have him back next year! Also joining the guest list for his first HeroesCon is Sean Taylor, the writer of Gene Simmons Dominatrix and Gene Simmons House of Horror!
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COMICS INDUSTRY :: Rosario Dawson At San Diego Comicon!

July 27, 2007 By: Dustin Harbin Category: Comics Industry, Other Events

Thanks to Keven Gardner from 12 Gauge Comics for sending us this link to an interview at the San Diego Comicon (going on through Sunday) with our sweetheart Rosario Dawson, who briefly discusses her love of comics, Occult Crimes Taskforce, and even finds time to mention good old HeroesCon!

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REVIEW :: The Invisibles

July 27, 2007 By: Dustin Harbin Category: Reviews

by Grant Morrison, art by various

reprinted as THE INVISIBLES, volumes 1-7

reviewed by Dustin Harbin

Okay, listen. My love for Grant Morrison is well-documented. I’ve lost count of how many of you I’ve pushed his books on, or how many times I’ve said how great All-Star Superman is, or pretty much anything he’s done with Frank Quitely is super, etc., blah-blah. I’m on record, okay?

But before Grant Morrison did all this mainstream stuff, he was most famous for his highly eccentric stories in Doom Patrol, Animal Man, and–most notably–The Invisibles. I read the first issue of The Invisibles when it came out way WAY back in the mid-90’s, when I was just a lowly customer: I hated it. I hated it so much, in fact, that I came back to the store and complained to the person who’d sold it to me. I hated it so much that it killed me for Vertigo stuff for years–it wasn’t until former employee/current friend Darin Caudle forced me to read the series years later that it started to grow on me. By the time the series wrapped up a couple of years later, I was a Grant Morrison fan for life.

The Invisibles is easily the most complex, bizarre, mind-blowing, self-referential comic book you’ll ever read. Anything more complex would just be pure computer code. Now, I’ll say up front that this is not the best of Grant Morrison’s stuff: but that’s what’s great about Grant Morrison. He keeps getting better. When he’s focuses that weird beam mind of his, he’s untouchable: WE3, All-Star Superman, etc., are far more gracefully realized. However, The Invisibles is an all-out assault on the senses. I’ve read it maybe three times all the way through, and I STILL am never sure that I know exactly what is going on. Each time you read it you notice more and more layers and levels to things–things are forever happening out of sequence, referring back to things that happened in the first or second issues; there’s time travel backwards and forwards all through the thing–it’s a lot to swallow. On the other hand, The Invisibles still stands as one of the most innovative pieces of periodical comic fiction ever. These read just as well month-to-month as they do as collections, with a constant ebb-and-flow of action, clever twists and cliffhangers, and a level of violence that would make The Punisher blush.

The other thing that would make the Punisher blush–I assume it would, I’ve never met him–is the cast. The Invisibles is a sort of sex-drugs-rock’n’roll anarchist paramilitary outfit: trying to explain further is just a waste of my time and yours. Suffice it to say that its members include a transvestite Brazilian witch doctor, a time-traveling schizophrenic hottie, and a zen-master bald kung fu dude who looks suspiciously like Grant Morrison himself–and those are just main characters. Together they struggle with–sort of–a strange millenia old menace that calls to mind the horrors of H.P. Lovecraft, the Illuminatus! trilogy, and ever conspiracy theory you’ve ever heard, except for that crummy Mel Gibson movie.

The problem with The Invisibles is that it takes a while to get going. I’ll admit: the first trade is pretty boring. Not many people can introduce such an incredibly complex story and group of characters, while simultaneously running through a sequence of hallucinations and head trips, and bring it off successfully in one book. Unfortunately, I’m not sure Mr Morrison does here. Plus the art is boring, boring, boring, throughout most of the first volume. The art really doesn’t get great until Phil Jimenez joins up near the end of Volume One (out of three: I’m referring to the three volumes it was originally published as, rather than the seven trades that reprint those three volumes. Make sense?). Then it’s amazing.

But, often-ugly art aside, by the middle of the second trade (“Apocalipstick”), the story gets going and becomes downright fascinating. Here’s my suggestion. Buy the first two trades, go home, and do your best to get through the first one. It’s not awful or anything, just a little much to swallow. Finish that one, then start the second one as soon as you can. One of my favorite single issues of any comic is #12 (“Best Man Fall”): if you finish that issue and STILL haven’t started to enjoy it, then you probably won’t ever. You can quit at that point. Take care of those trades while you read them, and if you make a good case, maybe we’ll let you swap them for something with less death and nudity in it. Oh yeah: parents, this title is NOT for young readers.

And there you go.
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