Archive for the ‘Opinion’

REVIEW :: BEFORE WATCHMEN

August 27, 2012 By: Justin Crouse Category: DISCUSS, Opinion, Reviews

What makes a good comic book is up for debate. Content-wise, there is no real consensus to be polled. But if the prevailing business model at the Big Two is any indication, good comic books come from the Big Event. There’s a definite thrill to seeing our humble little industry mentioned in grown up newspapers when editors pull stunts like guest-starring the President, but the constant barrage of reboot and crossover can also grow tiresome and desensitizing. It can leave an audience a little cold, especially after the initial buzz of the press release.
It almost goes without saying that no event straddled the gulf between content and concept quite like DC’s Before Watchmen. When the project was announced, the Interwebs lit up with endless flame wars about the merits of such an undertaking. The lines were drawn with a clarity and conviction that was palpable, even for the obsessive comic book fan. Now that DC has completed the roll-out last week with the first issue of Dr. Manhattan, here’s a bucket list of how the books measure up to their source material. (Note: the following views are the author’s own and do not represent Heroes Aren’t Hard to Find, Inc. or any of its affiliates – ed.)
Click through for Justin’s Before Watchmen Report Card!
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HEROES REVIEW: GOD AND SCIENCE: RETURN OF THE TI-GIRLS

July 31, 2012 By: Andy Mansell Category: DISCUSS, Opinion, Reviews

We all know that Comic readership is essentially divided into two camps–the mainstream adventure genre devotees who hang out on the north side of the store and the Independent comic readers who huddle in the south-east corner under the shade of Manga Mountain.  Granted, there is a significant number of readers who saunter back and forth between the two enemy camps, but the majority of us prefer to stay put in our comfort zones.
Now I don’t read superhero stories very often.  I was once a huge fan in the mid to late eighties; then I ventured outside the Superhero Universe and into Indie Island.  Occasionally, some good folks recommend (insist actually) that I dip my toe back in the deep end of the spandex pool and suffice to say, most times I find the water quite refreshing.  So I want to see if I can return the favor to all you dedicated Cape and Mask folks out there.
Now on any given day and twice on Wednesday, we Indie folks do our evangelical best to get everyone and anyone to read Love and Rockets. It really is a great, great book, but perhaps a comic about the day to day struggles of an over-weight middle aged female apartment superintendent and her friends and ex-lovers is not for every taste.
But what if the talented Love and Rockets cartoonist, Jaime Hernandez, created an absolutely delightful superhero story filled with adventure, fun, and lots of pretty girls with tons of super-powers?

God and Science: Return of the Ti-Girls is that book and it is one I wish every DC, Marvel and Image super-hero fan will pick up and read.

Now only a fool of a critic would describe a comic in such hyperbolic terms as “every single panel of every single page is chockful of artistic delights and clever storytelling”.  But you know me, so all I can say is, every single panel of every single page is chockful of artistic delights and clever storytelling.
In addition, God and Science spotlights one of the top five most attractive female characters in comic history*, Penny Century, as she struggles with her newly found super-powers and searches for her two missing (super) children.
The story is fun, exciting, fast paced and way over the top, but it is not a satire of superheroes. The difference between Jaime’s work and a genre parody is one of tone.  God and Science is a genuine love letter to super-hero comic books.
The theme of the book focuses on the importance of comic books in our lives, and Jaime drives this home by suspending our disbelief and taking us on a whirlwind ride.  It is a pure delight and I cannot recommend it any higher.

So for all you who are willing to give this little masterpiece a try, I’d just like to say (in advance)  …You’re very welcome! Enjoy!!

*--The other four most attractive characters are Dave Steven’s Bettie Page from The RocketeerJohn Romita‘s Gwen Stacy (or MJ), Darwyn Cooke’s Silk Satin and Steve Rude’s Sundra Peale from Nexus. Any list you come up with might equal, but can never beat this list.
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HEROESCON 2012 :: REPORTS, PHOTOS, VIDEO, & MORE!

June 28, 2012 By: Rico Renzi Category: DISCUSS, Guest List, HeroesCon, HeroesCon News, Indie Island, Interviews, Opinion, Photos

Thanks to everyone for making our 30th Anniversary HeroesCon so great! Here are some links to what others saw and did at the show. More memories and photos from HeroesCon 2012 to come! Please share your photos and links with us on our Facebook page! Thanks again and we’ll see you next year, June 7-9, 2013! If you miss your friends from HeroesCon please visit our store!

CREATOR RECAPS
Scott C.
Henry Eudy at Shannon Smith’s File Under Other
Cory Godbey
Josh Greathouse
Jason Latour
Brian Ralph
Christian Sager
Ben TowlePart Two
Skottie Young

BLOGS & REPORTS & MORE
The Beat – HeroesCon proves Thirty is Fabulous
Bleeding Cool
CBR – When Words Collide
Charlotte Observer Interview with Karla Marsh
Chris Sims’ Jack Kirby themed sketchbook
CNN
Comics News Insider
Comics Reporter – Interview with Heroes Creative Director
The Comixverse
Good Girls Gone Geek
Life with Fandom
Patrick’s Tentative Ramblings
Staton, The Obvious

COMICBOOK.COM
Photo Parade
Fantasy Writing with Bill Wilingham, Scott Snyder and Adam Hughes
Coloring with Laura Martin
DC’s New 52
Wonder Woman

PHOTOS
Heather Peagler
Chris Pitzer/AdHouse
Patrick Sun

PODCASTS
Comic News Insider
Shut Up Nerds

VIDEO
Stack Exchange:
Joe Quinones & Maris Wicks
Kelly Sue DeConnick
Dean Trippe

 

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Free Comic Book Day = Try Something New!!!!

May 01, 2012 By: Andy Mansell Category: DISCUSS, EVENTS, Free Comic Book Day, Opinion, Sale!

Ah Free Comic Book Day—not just a day of avarice, it is also a day of trying new things and taking advantage of Shelton and Shelley Drum’s good nature and keen merchant instincts.

So what’s my point?  Beats me, but if you are still reading you will know that there are dozens of books on the shelf just begging to be read.  This is the time to take advantage of deep discounts and give some books a whirl…

Outside of our protected 4-color world, are you a fan of History? Horror Movies?  Classic Comedy?  Of course you are and FCBD is a day made just for you.

If you are like me (and if so, medication helps—I swear!) you catch yourself engrossed in programs on The Military Channel, The Science Channel, The Travel Channel and History International.  Well sir (or madam), there are a number of terrific graphic novels sitting on the IKEA Billy brand[TM]  shelves in the back right hand corner of the store.  Head over there—go on–I’ll wait.  OK, now take a look at any book by Joe SaccoPalestine, Safe Haven Gorazde or Footprints from Gaza.  All are award winning and are gripping fusions of comics and journalism.

For a more intimate take on world travel try any one of Guy Delisle’s excellent travelogues:  Shenzhen (China), Pyongyang (North Korea), the Burma Chronicles and the most recent Jerusalem.   Any of these books can be read on its own and I promise they are all worth your time and money.

Horror fans stand tall and rejoice —remember there is more to life than young brooding hunkish vampires.  Try any graphic novel collection of John Constantine: Hellblazer.  They are self-contained, really entertaining and above all as scary as the back of the crisper in my refrigerator.  Try any of the collections written by comic heavy-hitters like Jamie Delano, Garth Ennis, Warren Ellis or Brian Azzarello.  My absolute favorites are The Fear Machine, Rare Cuts, Dangerous Habits, Haunted and Hard Time.

And don’t forget Hellboy/BPRD.  It is first and foremost a horror series. If you have not tried these titles, you need to get in there and start reading—you won’t stop at one.  Hellboy creator Mike Mignola is as good as you’ve heard.  For recommendations, why not ask Heroes own Seth and Phil—they will guide you well my son (or my daughter)

So now we’ve got you geographically informed and scared out of your wits– what about something funny—I mean really funny– to cleanse the old palette?   Earlier this year, I recommended Snarked by Roger Langridge and Sergio Aragones Funnies—those suggestions still stand– but let me also offer up any collection of Aragones masterwork, Groo, any volume of Little Lulu by John Stanley and above all else, Carl Bark’s Donald Duck—Lost in the Andes or The Barks Bear Book. We had a great discussion about Barks last week and I cannot recommend these comics more.  The Duck man’s life work improves with age.

So remember—FCBD is really an acronym for Try Something New—Something Different!

Heroes prides itself on the variety they offer at any given time.  Take advantage of the sale prices– You will be surprised and delighted by what you uncover.

 

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A LOOK BACK AT COLLECTED STRIPS IN 2011

January 10, 2012 By: Andy Mansell Category: DISCUSS, Opinion, Reviews

It’s me! Your erstwhile Comic Strip and Golden Age fanatic reporting to you live from the Poorhouse.   I find myself in these somewhat Dickensian straits thanks to the quality and quantity of must-have reprints that were published over the past 12 months.  I tell ya, I was like a kid in a Comics shop–oh wait...

Whilst preparing this article I calculated that I had purchased 46 Collected editions over the course of the calendar year and 33 of them were Comic Strip collections.  All 46 books are gorgeous–they look great on the shelf and they are a joy to read and re-read and they function as text books of comic technique.

I realize the World Economy–like the Chicago Cubs– is in another “re-building year“, so in good conscience, I have reviewed all the reprint books I purchased & devoured this past year and I have listed below the creme de la creme–this is the stuff you really have to have:

  • Mickey Mouse Vol 1 and 2 Race to Death Valley/Trapped on Treasure Island
  • Walt and Skeezix Volume 5
  • Carl Barks Donald Duck in Lost in the Andes
  • Pogo Volume 1

But why these four?

Hyperbole is all but redundant on any Best-Of Lists.  Any apropos description– fantastic art/great pacing/fabulous cast of supporting characters/marvelous storytelling– comes off as tired and cliched.  I have spent the last two weeks trying to figure out why these four are the best of the year–why they mean so much to collectors on a gut level– here goes: (more…)

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A LOOK BACK AT INDIE AND NON-SUPERHERO BOOKS IN 2011

January 04, 2012 By: Seth Peagler Category: DISCUSS, Looking Ahead, Opinion, Reviews

If superhero books in 2011 largely focused on both sweeping company-wide changes and numerous relaunches, what can we say about indie and genre books of the recently past year?  A few years ago the industry was rightly blown away by the genius work of David Mazzucchelli’s Asterios Polyp.  2011 didn’t necessarily have a single book that was hands down an instant classic, but if you had to choose one book that impacted the industry, it was Love and Rockets: New Stories volume 4Jaime Hernandez has been telling the story of Maggie and her friends in real time for over 30 years, always entertaining us with how he has chosen to develop his characters, always impressing us with his ever-focused art.  Volume 4 was one of the first times I can remember where creators and fans were open about how emotionally moved they were by a comic.  This is a tribute to Hernandez’s ability to tell stories that are not only practical and appropriate, but also unafraid to themselves be actively emotional in an unforced way.  If you’ve not experienced Love and Rockets before, you are doing yourself a great disservice.  This is genuinely one of the finest comics of 2011.

Elsewhere in “Indie” books of 2011 we saw the long awaited release of Craig Thompson’s Habibi.  A book nearly 8 years in the making, Habibi was a powerful statement from an artist who has spent his career constantly pushing his own boundaries and the boundaries of the comics form.  Standing tall at over 650 pages, Habibi exemplifies the work of a still hungry artist who is not content to fall into repeating patterns.  While Habibi was rightly controversial, any person would be hard pressed to walk away from reading the book without a greater sense of respect for Thompson as a creator and the potential of comics as a whole.

Unlike Thompson, Dan Clowes is an artist who has regularly released new comics every few years.  2011 was one of Clowes’ most prolific years to date.  Following up 2010’s acclaimed Wilson, Clowes offered up Mister Wonderful, which can be seen as a bookend of sorts to Wilson, or perhaps the flip side of the Wilson coin.  In addition to Mister Wonderful, Clowes released a deluxe, expanded version of his classic The Death-Ray, which contains one of the most interesting explorations of the superhero genre we’ve seen from a non-superhero artist.

Big Questions was finally released in a single format this past year.  Collecting all ten years and 600+ pages of work from Anders Nilsen, Big Questions is a great example of an artist’s development over a decade.  It’s also one of modern comics finest examples of the employment of fable as a commentary on humanity.  Nilsen’s magnum opus was always well received as it was released in single issue format, but there’s something about seeing and experiencing the completed book in a single published volume that makes you realize how significant the book is to comics of the past decade.

On the non-Indie genre side of things, one of the biggest stories of 2011 was the success of AMC’s Walking Dead t.v. series.  What does a t.v. show have to do with comics in 2011?  Suffice to say, the television adaptation and reworking of Image’s Walking Dead comic brought lots of new readers into comic shops, many undoubtedly for the first time.  I’m still surprised when someone comes into the store to buy a gift for a niece or nephew, sees a Walking Dead collection, and remarks ‘Wow, they made a comic of the show?’  Numerous people who realized the comics came first have subsequently made return trips to the store to continue reading Robert Kirkman’s monthly comics.  The Walking Dead phenomenon has brought up some interesting prospects for television and comics, and how the two mediums can work together to inform new audiences.

One of 2011’s other significant genre happenings had to be Mike Mignola’s decision to kill off his ever popular character Hellboy.  While Hellboy will continue in 2012 in the Mignola-penned and illustrated “Hellboy in Hell” storyline, the creator has spoken about how important it is to allow characters and stories to develop, change, and grow over time.  He has always made a point of stating that when characters in his books die, they stay dead.  It’s a testament to Mignola that he works hard to eschew creative stagnation by allowing ideas and themes to run their course.  One need only look at Mignola’s numerous other properties like B.P.R.D., Lobster Johnson, and the Amazing Screw On Head to see that his work always operates within this dictum.  Fans have been clamoring for more Amazing Screw On Head stories,but he won’t make them because he feels that he already achieved what he hoped to within the one book.  These books are also exemplary of how Mignola surrounds himself with quality storytellers and lets the characters progress in their natural state.  When a creator cares more about staying true to his characters and stories than he does about regurgitating material, the industry is all the better for it.

As with my post about superhero comics in 2011, there were just far too many indie and genre books to talk about here.  Many others made a big impact on readers and the industry as a whole.  So, what indie and genre books from 2011 really impressed you?  Did you discover a new creator whose works you’ve gone on to seek out?  With 2012 just starting, are there any big indie or genre books coming out this year that you’re excited about?  This is your blog too, and we’d love to hear your thoughts!

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ANDY MANSELL’S CHRISTMAS VACATION

January 03, 2012 By: Andy Mansell Category: DISCUSS, EVENTS, Opinion, Reviews, Slice of Life

Santa must have been some-what disillusioned or at the very least pre-occupied this Holiday season, because I landed quite an unexpected haul this year.  My stocking runneth over with all kinds of comic book goodies.  Here is a just a brief summation of my first official time on the Nice List:

Marvel Masterworks The Inhumans Volume 1— a gorgeous reprinting of the Lee/Kirby Inhumans back-up series for Thor, followed by the short but fabulous Kirby and then Neal Adams(!) runs from the gone-but not-forgotten Amazing Adventures.

The Late, Great Joe Simon.

Simon and Kirby Library: The Superheroes-– this book– by itself– is a must have for all comic fans, The complete Fighting American, 3-D man and Stuntman (whoa!) are worth the price of admission.  But my copy was signed by the late, great Joe Simon, by our pal and series editor Steve Saffel (Happy Birthday, Steve!) and also by Neil Gaiman who wrote the Intro. Dang–I hope Santa isn’t on the Heroes mailing list because if he reads this he will realize his mistake and make a surprise January visit to replace this gem with some socks or maybe a nice scarf.

The 50 Greatest Cartoons of all-time.  This book is the result of a poll taken by over 1000 professional cartoonists.  It is a great book!  I have spent the last few days scouring Netflix and amazon in search of these celluloid classics. (#1 is What’s Opera, Doc)   Thank God that Heroes is the kind of Comic Shop that offers a variety of books like this in addition to their ample stock of Usual Suspects!

An Iron Man Spatula from Williams-Sonoma.  It makes Waffles that have Zero Trans(istor) Fats. Also, Captain America/Spider-man/Hulk Head cookies from Sur Le Table. My wife (a civilian!) claims all three cookie heads tasted the same, but I know the Cap Cookies were the tastiest!)

Christmas is always so much more fun when you get Comic related gifts!

So my question for Heroes United (sounds like a Soccer team doesn’t it?) is–

Share with us:  What did you get this Uncanny X-mas???

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A LOOK BACK AT DC AND MARVEL IN 2011

January 02, 2012 By: Seth Peagler Category: Comics Industry, DISCUSS, Looking Ahead, Opinion, Reviews

It recently dawned on me that I’ve written almost every Spotlight on New Releases column since July of 2010.  That’s almost a year and 1/2 of writing about new comics every week for readers of our Heroes Blog.  The biggest lesson I’ve gleaned from this experience is the idea that as a comics reader and critic it’s really important to maintain one’s joy and passion for our industry and hopefully encourage the same in our readers and customers.

Every week there are hundreds of books released, and there won’t always be something groundbreaking or revolutionary hitting the stands.  However, there are always books throughout a given month that entertain us or encourage us to think beyond the scope of our personal experience.  As readers it’s no crime to comment on things we wish were better in comics.  In fact, if you’ve been reading a title or following a character for a few decades, you have a lot invested in comics and should speak your mind.  Let’s remember that we all participate in a truly unique medium where on a weekly basis the opportunity still exists for us to be reminded of the inherent joy that exists within the pages of a comic book.  So with that thought, here are a few things about DC and Marvel comics in 2011 that I believe warrant reflection.

It would be wrong to talk about 2011 without first mentioning the DC reboot.  A gamble on many fronts, DC really took a chance when they decided to restart all of their titles.  The reality of the situation is that DC needed to do something different to try to increase their sales after years of turning in numbers behind Marvel.  They did garner lots of national media coverage for their event, and we did see many new faces excited about comics find their way into our store.  There have already been some concerns about how DC would be maintaining the quality and regularity of creative teams and storylines, but that’s to be expected.  Like it or not, the company did manage to refurbish some of their properties, and whether or not you agree with the strategy or enjoy some of the books, some really entertaining comics were produced.  In Geoff Johns and Jim Lee, Justice League brought two fan favorite creators to the biggest of books and did so with a wide-reaching effect. Brian Azzarello and Cliff Chiang’s Wonder Woman reminded many of us that this is a character who deserves to have talented creators working hard to tell her stories, and that when they do, good comics are inevitable.  Other books like Animal Man and Swamp Thing found a nice balance between horror and mainstream comics, and continue to build toward memorable stories.  The goal for everyone is to see DC do well, have strong creators on titles, and bring in new readership.  If this happens, everyone can benefit.

Marvel Comics had a bit of an unusual year.  DC clearly grabbed the most headlines for their reboot, but Marvel always seems to have a longterm plan, and certainly has multiple film properties to capitalize upon.  Like DC they offered up several new #1 issues with the goal of reaching new readership.  In some cases, as with Mark Waid, Paolo Rivera, and Marcos Martin’s Daredevil #1, Marvel found a solid creative team who managed to tell some great stories by steering the character away from his typical grim and gritty fare, and back toward some of his more swashbuckling roots.  No, this isn’t a reinvention of the wheel, but it is a good, fun comic that more and more readers are starting to enjoy.

Marvel probably grabbed their biggest headlines with their controversial decision to kill of the Ultimate version of Peter Parker/Spider-man.  Regardless of what you think of this decision, the idea that they then introduced a new Spider-man who might reach a wider range of readers is an exciting prospect.  If comics can’t reach a new, young readership base then the industry will continue to change in increasingly dramatic ways over the next decade.  The effort to gain new readers is also a reason for this year’s breaking of the X-men into two separate schools of thought.  With a lineup in Uncanny X-men consisting of darker, more villainous characters like Magneto, Namor, Emma Frost, and a Juggernaut-powered Colossus, and a younger, more lively bunch of mutants being headmastered by Wolverine in Wolverine and the X-men, Marvel has offered up two distinct X books for readers with very different sensibilities.  The latter has also given us some of the year’s most entertaining superhero comics, and has offered writer Jason Aaron an opportunity to explore a different kind of book than he has previously written.  By the same token, with Uncanny X-force Marvel has maintained and grown a steadfast audience for a mutant-centric book that doesn’t quite read or look like X-titles of the past.

Whatever you might take away from comics in 2011, it’s worth noting that like with almost anything in art there can be strong, entertaining possibilities if you look hard enough.  If you find a comic that moves you or offers up great escapism, support it by buying it and encouraging your friends to give it a try.  If you’re unhappy with a book you might have read for a long time, don’t be afraid to put it down for awhile and look for something new.  There are plenty of  books well worth your time and money.  The important thing to me is that we all do our best to try to be positive about our industry, encourage new readership, and support writers and artists who are focused on producing quality comics.

This is really just the tip of the iceberg.  Both companies had plenty more worth mentioning this year, and we’d like to hear from you about what you think.  What DC or Marvel books really impressed you this year?  What book did you buyon a whim and then proceed to pick up every month thereafter?  What are some things in 2012 that you’d like to see, or might be looking forward to?

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HEROES REVIEW :: SPACEMAN #1

November 07, 2011 By: Justin Crouse Category: DISCUSS, Opinion, Reviews

I admit it: I’ve never read 100 Bullets. I’m a casual fan of the crime genre, and have a bad habit of trade-waiting with long running, highly acclaimed series. Given its status from even its earliest issues, 100 Bullets would always be available, so the urge to be current was never insistent. But the team of Brian Azzarello and Eduardo Risso is rightly celebrated, I know, from their Batman work in both Batman: Black and White and Wednesday Comics. Now, Vertigo launches a new Azzarello/Risso collaboration, a perfect gateway for the uninitiated such as myself: Spaceman #1.

Spaceman is another genre turn for the pair: science fiction. Like crime, sci-fi can offer scope within its very clear limitations. As a writer, Azzarello seems to understand these limitations, and deftly avoids them. Rather than dwell on expository schema of the world and times of Spaceman, Azzarello simply implies them through the dialogue and backgrounds. This does result in a somewhat disjointed first read, but upon closer inspection the frustration turns to intrigue. The entire issue is borne of a complex intelligence that is serviceable, not flaunted. It’s nearly impenetrable, but highly inviting.

Luckily Risso brings with him a rare chemistry, matching the script beat for beat with mood and atmosphere. His style exhibits wonderful flashes of Mignola, Ba and Fegredo, while maintaining an identity all its own. Virtuosity is eschewed in favor of storytelling, with nice layout variance and a solid underpinning of the story’s futuristic set pieces. Risso’s art sidesteps the cliche gloss that a lot of sci-fi yarns get sprayed on them, too, achieving a grit that roots the fantastic in realism, reminiscent of another genre cousin, the western.

Spaceman wouldn’t be as appealing without the contributions of colorists Patricia Mulvihill and Giulia Brusco. Their palette straddles the fine line between muted and vibrant, filling the linework in an attractive way that conveys the necessary chilliness. Even the reds seem cold. Ace letterer Clem Robins ties everything together with his expert, organic approach, lending this fresh, modern comic the timeless design it deserves. A Dave Johnson cover never hurts anything.

Overall, Spaceman is an imposing book, from its grotesque protagonist (a dead ringer for Mr. Hyde from The League of Extraordinary Gentlemen) to its bizarre slang (a la the Mutant gang in Dark Knight Returns). But what the best writers and artists in comics seem to do is take these familiar tropes, and twist, and pull, and stretch and beat them into something that seems wholly new. That’s exactly what you’ll get from Spaceman, if you have the patience: a new take on an old favorite. Whether it’s the genre or the talent, the hooks are there, deliciously baited.  So don’t wait…cashiers are standing by!

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REVIEW :: B.P.R.D. Hell on Earth-New World #1 – 5

January 17, 2011 By: Heroes Online Category: DISCUSS, Opinion, Reviews

What does Hell on Earth mean?  In terms of publishing, it’s Mike Mignola giving an official name to the series’ next uber-arc.  All the B.P.R.D. material to this point has been retroactively dubbed Plague of Frogs and will be re-collected under that title, in snazzy, reasonably priced hardcovers forthcoming.  Hell on Earth is the landscape of the series now.  Hell IS on Earth now.  Crazy Guy Davis-drawn monsters are running amok cutting swaths of destruction across the world.  The B.P.R.D., now a U.N. sanctioned organization, finds their jobs harder than ever and not just because of the monsters.  Because they are U.N. sanctioned, they have more to answer for and are constantly hamstrung in getting the job done.

The neat thing about all of it is that information I just splayed out for you is delivered subtly in the book.  It’s all background or hinted upon or briefly mentioned at the most.  John Arcudi and Mignola world building through atmosphere but different than how they usually do.  This is an emotional landscape more so than the Gothic/Horror/Strange landscapes that they usually build for us.  A landscape of frustration as the world is ripped asunder.  The frustration of being able to do more and accomplishing nothing.  The B.P.R.D., when they most need to stick together, is falling apart.

The main plot is more concerned with Abe Sapien and a former B.P.R.D. regular cast member hunting down the source of a plague that is turning a small town into possessed monsters.  When the source is discovered it is devastating in its human element and twisted because of it.  I won’t give it away.

I haven’t forgotten though, and it would be stupid of me to ignore, that this is a comic book about killing monsters and when it comes time to do that between the in-fighting and campfire conversations about survival, it delivers.  The action centerpiece in issue #3 is the most scrumptious of chase-fights.  Abe is at the wheel of a pick-up truck and Ben Daimio is in the back with box full of guns and grenades fighting/being chased by a big black mega-demon thing. The art of the action sequence sometimes seems lost in this modern day of freely used double splashes.  A proper action scene takes into account setting and geography, the physical proximity between characters and their surroundings.  The progression of panels must flow in such a way that those things interact with each while showing the passage of time properly freezing momentum at its most dynamic but also most information conveying.  It is such a delicate balance.  Guy Davis with his deceptively scratch style accomplishes it and makes it look easy.

You’ve heard the buzz now is the best time to get in on one of the finest of monthly comics.

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