HEROES INTERVIEW :: JASON LATOUR
If you’re a regular visitor to Heroes Aren’t Hard to Find, HeroesCon, or the Charlotte MiniCon, you’re probably familiar with the work of local creator Jason Latour. In recent years he has worked on high profile books for Marvel and DC, and most recently, saw his co-created book Loose Ends see print from 12 Gauge Comics. His work as both a writer and artist has received acclaim from comics fans, retailers, critics, and professionals alike. This week I got a chance to talk with this longtime friend of Heroes about the development of his comics career, and how he worked to add writing to his extensive resume.
Seth Peagler: Jason, you have thus far in your career been primarily known as an artist, but Loose Ends marks your first major comics effort as a writer. What is it about this concept that made you want it to be your first venture as a writer? Was this an idea that you developed over a long period of time and planned on producing as a comic, or did it start out in another medium?
Jason Latour: Maybe it’s a muddy analogy but you’re a musician so you may relate— I always knew that if I’d drawn Loose Ends myself I’d have forced it to be a quiet, solo acoustic album despite knowing full well that it needed a different scale. It needed a wall of sound to come alive and Chris (Brunner) and Rico (Renzi) were the only team I knew of who could provide that. Knowing they were involved pushed me to consider things about the story and about crime fiction that I might not have otherwise. I opened myself up to other point’s of view and I honestly feel like my contribution to the book has gotten better for it.
As for why it’s the first one– It just became the project I’m most invested in. So much so that it seemed necessary to hit the brakes on any other potential writing projects and put all my eggs into this basket. It was a hard choice to make just because logistically–given what I knew first-hand about the difficulties of doing creator owned comics– I wasn’t sure how we’d get it done. But I knew it was worth it to do the book I wanted to do with the team I wanted to work with. It seems like not long after that decision was made things picked up for me as an artist and I became able to afford a greater peace of mind that maybe a lot of writers working on their first project don’t have.

SP: I can tell by reading the first issue of Loose Ends that this project was a real labor of love for you, Chris, and Rico. Since you all live so close to Heroes, I’ve gotten to see how hard and how long you worked on the book together. As far as the story of Loose Ends is concerned, knowing that you were working with the Kickstand Kids from early on, did you shape the story specifically for them, or did it stay pretty similar to your initial thoughts about it? What are some aspects of their specific styles that informed how you approached the scripts?

























