Archive for the ‘Where Do I Start?’


August 29, 2012 By: Andy Mansell Category: DISCUSS, Where Do I Start?

Is Peanuts the greatest comic strip of all time? It is hard to say for certain since there have been so many classics that have run throughout our lifetimes and and the lifetimes of our parents (and grandparents) before us. Calvin and Hobbes, Pogo, Popeye and Wash Tubbs/Captain Easy immediately come to mind. They are all masterpieces of the comic strip form–timeless, inspiring and entertaining…but do any of these (along with dozens I neglected to mention) have the true emotional pull and the personal connection we have all felt at one time with Charles Schulz masterpiece featuring Charlie Brown and the gang? Is there any visual ICON from the past 50 years more universally familiar than Snoopy?




August 21, 2012 By: Seth Peagler Category: DISCUSS, Where Do I Start?

There have been several occasions in recent years when a customer heard me talking about Hellboy (which is a frequent occurence) and asked: Where Do I Start?¬† The Hellboy shelf is chock full of choices, and for those who might only know of the character through the two films, it can be a daunting challenge to pick where to begin.¬† The obvious choice would be to start with volume 1: Seed of Destruction.¬† After all, this volume does present Hellboy’s origin and kicks off the big themes that persist throughout the story.¬† I would suggest that even though this is where it all starts, newcomers might be better served to start elsewhere.¬† Hellboy: Seed of Destruction, while essential to understanding the big picture of Hellboy, doesn’t quite feel as cohesive as later volumes.

This is partially due to the fact that it was scripted by John Byrne.¬† Byrne has rightly earned a place of respect for his huge body of work as both an artist and a writer, but Hellboy is Mike Mignola’s baby, and was much better served when he started writing it full time.¬† As Mignola’s confidence as a writer grew, so did the overall quality of the book.¬† While you’ll never hear me complain about the artwork, it’s also evident in later volumes that the quality consistently improved once Mignola got more comfortable with the character.




August 13, 2012 By: Andy Mansell Category: DISCUSS, Where Do I Start?

Welcome to the very first installment of Where Do I Start?.¬†There are a lot of great, long-running comic book series that didn’t start out so great–good enough to catch on, but not enough to catch fire. ¬†Off the top of my head,¬†Hellboy, Hellblazer,¬†Love & Rockets and yes, even (gasp!)¬†Sandman are good examples of series which needed to produce a few story arcs before it really reached their potential. ¬†We¬†could¬†spend all day arguing about each individual series I mentioned, but space is limited, so let’s just concede that I am always right and move on (See, wasn’t that easy??)
To me the ultimate example of this¬†slow-start-to-a-great-series¬†phenomenon is Bill Willingham’s Fables. ¬†A lot of folks tried the first few issues of¬†Fables¬†10 years ago and were a bit disappointed by the Vertigo-proclaimed¬†heir apparent to¬†Sandman. ¬†But a lot more folks got hooked and continued to read it to this very day. ¬†Currently the series is celebrating it’s 10th Anniversary with 118 issues published collected into 16 trades. ¬†There have been two spin-off series,¬†Jack of Fables and now Fairest, plus a stand alone short story collection¬†1001 Nights of Snowfall¬†and even a prose novel¬†Peter and Max.
After all of that material, I still get excited every single month to read Fables.  I would like you to enjoy this series that tells the on-going saga of the famous characters from Legend and Fairy-tale (Snow White, The Big Bad Wolf,  The North Wind, Pinocchio, Ozma and countless others) existing in our Mundane (Mundy) world. The problem for hesitant readers has been the first two story lines collected in Legends in Exile and Animal Farm.  These two stories told in the cliche ridden forms of a murder mystery and a Spy thriller do not work as well as one might hope.
So, I am suggesting you set aside your strong completest sense (all of us comic readers have it) and pick up the Third Fables trade Storybook Love.¬†¬†It was these issues that hooked me for life and I believe it will do the the same to you. ¬†The storytelling, art and characterization are confident. ¬†The story literally jumps off the page. ¬†the world of Willingham’s creation becomes fully formed and believable. ¬†From that point on, he was off to the races with no end in sight.
So do yourself a favor, break with tradition and read the third trade¬†Storybook Love first. ¬†You will continue to read on and on and I am confident that Fables will become one of your monthly must-reads. Remember: you can always go back and read the first two once you’ve gotten involved.
Note: Although i really enjoy the current storyline, I do not recommend Fairest as an optimal starting point for new readers. The tone of this first story is humorous and a bit self-reverential–much like the wise-guy first person narration in Jack of Fables. ¬†This conceit works well for the story Willingham is telling within Fairest’s pages, but I do not think this tone works well as a proper introduction to a series like¬†Fables that successfully tells many different tales in many different ways.
Try¬†Storybook Love— it is really enjoyable and you will be chomping on the bit for more.