STAFF PICKS :: WORLD WAR 3 ILLUSTRATED #45 & BUZZKILL #4 :: DECEMBER 18, 2013

December 18, 2013 By: Justin Crouse Category: DISCUSS, Staff Picks

staff_picksjustin_staff_picksJUSTIN’S PICK :: WORLD WAR 3 ILLUSTRATED #45: I am fascinated by curios. I blame my grandmother, and her dragging me through area Goodwills and the antique shops of Waxhaw on a regular basis. So when a title like “World War 3 Illustrated” crops up in the week’s new offerings, my eyes perk up. The cover only reinforces that curiosity. Upon further investigation, WW3I is a sporadically published political anthology, founded by comic book artists Peter Kuper and Seth Tobocman, and painter Christof Kohlhofer. [1] #45’s theme is the afterlife, and the contributor line-up is a cornucopia of names I don’t recognize (with the exception of Mumia Abu-Jamal), but Peter Kuper’s work is always worth a look, and I won’t mind that cover haunting my coffee table for a couple months.

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HONORABLE MENTION :: BUZZKILL #4: I’m aware the year isn’t over yet (at least not in practice; mentally, that’s another story), but I’m calling Buzzkill superhero book of the year. And it rounds out 2013 nicely with its fourth and final issue this month. The creative team fires with a perfect synergy, and the “high concept” doesn’t interfere with the characterization, or dictate the plot. It’s smart, it’s clever, it’s the kind of thing superhero comics need to do more of: short form, dazzling entertainment. Yes, dazzling. There. I said it.

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[1] Wikipedia, yo.

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STAFF PICKS :: BUZZKILL #2 :: OCTOBER 16, 2013

October 15, 2013 By: Justin Crouse Category: DISCUSS, Staff Picks

staff_picksjustin_staff_picksJUSTIN’S PICK :: BUZZKILL #2 : This is a concept that, in incapable hands, could be dreadfully rote: a guy derives superpowers from drug and alcohol abuse. Not necessarily a wholly original premise, but the creative team’s approach elevates the proceedings beyond the mundane. Donny Cates’ characterization of the main character is sympathetic and believable, without making a sappy sob story out of it (truth be told, he’s kind of a jerk, but a likable jerk). Geoff Shaw’s art inhabits a comfortable space somewhere between the likes of Tradd Moore and Matteo Scalera, with Lauren Affe punching things up quite beautifully in the color department. Issue one ended on an ingenious cliffhanger; I’m clamoring for issue two. If you missed this Dark Horse offering in the shuffle, pick #1 up along with #2, and save yourself the agony of turnaround.

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