Archive for the ‘DISCUSS’

SWEET! NOT SWEET!

October 19, 2007 By: Heroes Online Category: DISCUSS

Like a blitzing bullet of opinion cutting down the maudlin middle and giving you the best and worst of all things I have returned with another sassy edition of… SWEET/NOT SWEET!

SWEET! Punisher War Journal #12
Matt Fraction
celebrated the first year of his first Marvel book by writing PWJ’s best issue yet. Knife guns, an artificial symbiotic battle suit, and beautiful Ariel Olivetti artwork (this is his last issue.) But the greatest gift of this issue was the word “meat-shells”. “Meat-shells” should move into an apartment with “Fleshy Ones” from Nextwave and just hate a humanity that loves them forever.

NOT SWEET! Mighty Avengers
This book has a lot of problems. There is of course the chronic lateness. Frank Cho has been very apologetic about it so it’s hard to be mad. The MA team has made more appearances in New Avengers and World War Hulk then there own book. I think its cool that Cho has realized this book is not up to his speed but the fact he’s leaving still bites. Hopefully this book can find its foothold in 08.

SWEET! “Superman: Doomsday” DVD
This was actually pretty good. I didn’t know what to expect from DC’s DVD line because Marvel’s line has been lacking so far. Superman: Doomsday starts with a big brutal fight between the two title characters and than becomes a sort of a tender Lois Lane story before the action finale at the end. This gives me a lot of hope for the New Frontier movie.

NOT SWEET! Sticking Conclusions in Annuals
The biggest perpetrator of this is the Superman line. Action Comics, Superman and Superman: Confidential have all of their first–FIRST–arcs concluding in a special or annual at a later date, and pressing ahead with filler material or new arcs. Wonder Woman did this too. Lame.

SWEET! Autumn!
If you’re a hairy guy who hates the heat like me and Phil Southern, then this summer felt like being hit with a flaming tree branch everyday from May to last Tuesday. But now that it seems that fall has kicked in, all is well. It’s temperate with a nice breeze, everything has a nice warm color, and all the TV shows are back. Plus, Halloween and Thanksgiving the greatest holidays known to man. I’m gonna kick back with a bowl of Count Chocula and watch scary movies.

NOT SWEET! “Grindhouse” on DVD
So now the original intent of the movie and all the cool fake trailers are out the window. It kind of takes the fun out of the deal. Rent them definitely but wait for the Director’s Cut to buy it.

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REVIEW :: Wolverine #56

October 11, 2007 By: Dustin Harbin Category: DISCUSS, Reviews


by Jason Aaron and Howard Chaykin

reviewed by Matthew Bradley

Over the years, Wolverine has been one of the most overused characters in Marvel universe. He’s been in so many titles and has been written by so many writers that Wolverine might seem to be a stale character to some. Enter Jason Aaron, who is riding a wave of criticial acclaim from his recent work, such as The Other Side and Scalped. Can Aaron make Wolverine into an entertaining character?

Wendall seems like your average guy. He drinks his coffee early in the morning, packs his lunch box and goes to work. What makes him not so average is his job: he shoots at a man in a pit for hours. The man in question is none other is Wolverine. So, how can such a simple job go wrong?

Aaron knows how to tell a story. Wendall comes off as a believable character. Aaron conveys his troubles and good traits, yet reminds the reader that he is a not-so-innocent well. All of this is not only revealed through seeing Wendall go through his daily routine, but the brief conversations that he has with Wolverine. All of Wolverine’s spot-on deductions on Wendall are handled well. He shows a great bit of intelligence by learning about Wendall through his scent and by how he shoots. This element of the story gives the reader a deeper look into Wendall’s life without coming off as forced. The ending of the story comes across as bittersweet, which is fitting for the story. This is not some “Hero fights villain, hero wins” type of story and Aaron gets it.

Backing Aaron up is Howard Chaykin on pencils and inks. Out of all of Chaykin’s Marvel work, this seems be his strongest one to date. The drawings are a little rough, but they match the story well. His panel layouts are great as well. When Wendall enters a password on a keypad, for example, Chaykin will place the keyboard to the side of the page while it’s being entered. It’s a nice little detail that makes for some clean storytelling.

At the end of the day, Wolverine #56 is worth your money. With a great story with artwork that fits the story fantastically, this comic does not disappoint. Now if Marvel can just get Aaron on some more projects.

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IS IT YOU? :: Who Shall Wield The Power Cosmic?

October 11, 2007 By: Dustin Harbin Category: DISCUSS


Remember the cool-looking life-sized Silver Surfer standee that we had in front of our booth at this past HeroesCon? Sure you do! It was a promotional item given to us to help promote the Fantastic Four: Rise of the Silver Surfer movie, and the subject of many many photographs, usually with a smiling fan attendee, taken at the show. Well, we had a couple of different ideas about what to do with it after the show, but we’re just too busy to make any of those a reality in the near future–so we decided we would give it away! That’s right, absolutely free! It’s been sitting in our warehouse, usually scaring the bejeezus out of me when I’m turning the lights on, and notice a crouching naked person in the shadows. Fill in your own “and then I see the Surfer” joke. Anyway, Shelton needs to clear some room for some different projects he wants to get underway. We thought about trying to sell it, but we decided that we like you so much that we just want you to have it.

But which one of you? We like all of you equally; don’t ask us to choose! But if you want to have this life-sized Surfer collectible for your very own, post a comment detailing why you deserve it. Did you sacrifice yourself and your love for a hot space-chic in order to save your planet from being eaten? That’s a good reason, but yours is probably different. All that we ask is that you a) keep it clean; b) be creative; and c) make sure you can actually come to our store and pick it up. We’re not interested in shipping this big thing anywhere. Also: the cardboard background is gone, but the Surfer himself is mounted on a surprisingly sturdy metal framework. It’s not just a bunch of chipboard or something.

So tell me: Why do you deserve to wield the, er, Power Cosmic?

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PHOTOS :: Bryan Lee O’Malley Report On Flickr!

October 09, 2007 By: Dustin Harbin Category: EVENTS, Photos

Hey, hey, hey! Another long-winded and short-photo’ed report is up on our Flickr page, detailing in as blurry and inspecific a way as possible Bryan Lee O’Malley’s in-store signing last Friday! I’ll leave further description and self-deprecation for the report itself: check it!
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REVIEW :: Scott Pilgrim Vol 1 GN

October 04, 2007 By: Dustin Harbin Category: DISCUSS, Reviews


by Bryan Lee O’Malley

Review by Matthew Bradley

I remember going into a comic shop, a few years ago, with some extra cash in my pocket, looking for something new to read. A graphic novel called Scott Pilgrim’s Precious Life stood out for some reason. I glanced through it and decided to take a chance a on it. In the end, was it worth taking that chance?

Scott Pilgrim is a 23 year old slacker from Toronto, Canada. He goes about his by life by performing in a indie rock band, dating a high school girl, and well…..using his roommate’s money for random junk. Things change when he meets the girl from his dreams, in Ramona Flowers. Sounds like a typical boy meets girl type of story, right? Except, there’s one catch: in order to date her, he must battle her seven evil ex-boyfriends.

Bryan Lee O’Malley knows how to bring the funny. The script that he turns out is filled with plenty of wit. What is pretty amazing about it, though, is when the story moves from a humorous tone to a more serious one. It’s a tricky task to pull off, but in the end, he nails it seamlessly. There’s also an insane amount of sheer fun in this comic. From the wild fight scenes to the little info boxes littered throughout the comic, Scott Pilgrim delivers charm in spades.

O’Malley isn’t a slouch on the art either. He has a rough, distinctive, manga-inspired style in his art, which matches perfectly with the story. His layouts convey the story well.

Scott Pilgrim’s Precious Little Life is a must buy. While other companies are producing event after event, Scott Pilgrim comes across as a breath of fresh air. The writing and art alone separate it from the rest of the comic book scene. Take a chance on it.

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REVIEW :: Umbrella Academy #1

September 28, 2007 By: Seth Peagler Category: DISCUSS, Reviews

by Gerard Way & Gabriel Ba
covers by James Jean

reviewed by Seth Peagler

Last week Dark Horse premiered a new miniseries called The Umbrella Academy. The book’s creative team consists of Gabriel Ba on interior art, James Jean on cover art and Gerard Way on writing duties. Some of you may know Ba from his work on the series Casanova, and Jean for his covers for the series Fables. If you don’t recognize the writer Gerard Way, don’t feel bad; this is Way’s first comic series. Apparently he started creating the book when he wasn’t working his day job as singer of the band My Chemical Romance. Though unfamiliar with this band’s music, the thought of a rock singer writing a comic intrigued me. Can rock stars write comics?

Beyond the curiosity I had about the book’s story, what initially prompted me to pick up this new book was the respect I have for the art of Ba and Jean. Their contributions seem to fit the story’s super-hero/science fiction tone very well, which didn’t surprise me, considering the excellence of their previous work. What did surprise me was how well-constructed the story ended up being. For a first issue we aren’t bogged down with endless dialogue, but are given enough information to want to continue reading. We get a bit of action, but not so much that we don’t have an investment in the story. And by the book’s end, we have several unanswered questions propelling us toward issue two, and the introduction of the major conflict of the series.

Throughout issue # 1 we travel through an odd world where the Eiffel Tower wreaks havoc on Paris, a super-powered boy dreams of growing up to be a space man, and zombie robots threaten society. Though The Umbrella Academy unabashedly takes cues from the X-Men, with its inclusion of a super hero school, it also seems to be related to titles as divergent as Hellboy and Casanova. This is a quirky book that blends archetypes of science fiction and comics in a unique, high-paced format.

If there are any of you who have hesitations about a rock star writing comics, you might just be surprised at the book’s quality. James Jean provides a beautiful cover for issue number one, featuring the academy’s children being mirrored by their adult selves. Gabriel Ba delivers energetic panels that fit nicely with the story’s quick delivery. Gerard Way, for his first comics work, offers a surprisingly enjoyable story, and with it, quite possibly the arrival of another promising writer in the realm of comics.

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TOP TEN :: Best Comics Artists Ever :: #1 :: Jack Kirby

September 21, 2007 By: Andy Mansell Category: DISCUSS

Here walked a giant. Besides being one of the great idea men, one of the great innovators (romance comics, kid gang comics, the first direct only sales success, and especially the co-creator of the Marvel universe) Jack Kirby always provided the WOW factor. Look at any comic art today–you see influences of Neal Adams, the Image group, even Milt Caniff, but the guys who made the single and two page spreads his own was Jack Kirby.

Pick up any Marvel Masterworks or Fourth World Omnibus–the art explodes off the page–you stare with gape-jawed awe. Your eye lingers and–back in the day–you had to buy the book.

In the same way Hemingway stated that all American literature derives from one source, Huckleberry Finn, all modern comics derive from what Jack Kirby wrought over his fifty-odd creative years. A lot has been written about Kirby, but here is the simplest way to sum it up. If it weren’t for Kirby’s explosion of creativity in the sixties, I doubt we would all be here today praising comic books.

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TOP TEN :: Best Ever Comics Artists :: #2 :: Steve Ditko

September 21, 2007 By: Shelton Drum Category: DISCUSS

Most people who know me know that I’m a big Spidey fan. And while I’m also a big fan of Stan Lee, John Romita, and Jack Kirby, there’s only one man that could have made Spider-Man work if you ask me: Steve Ditko. Spider-Man stood out right away in the Marvel universe, because he was so different than all the other characters–he was this nerdy teenager who dressed up in a weird spider costume and fought crime, meanwhile juggling school, girls, and all the other pressures teenagers face. I love Jack Kirby–some stories suggest that Jack Kirby had a lot to do with the initial idea of a “spider man”–but can you imagine Kirby doing a book like that? Steve Ditko brought the kind of energy and imagination to Spider-Man that only he could, not only in the look of Spider-Man, but often in the plotting of the book, and many people say, most of the creation of the character. Only Steve Ditko could make something as crazy sounding as “a teenage crimefighter with the proportionate strength of a spider” not only work, but become an overnight sensation. Steve Ditko only did 38 issues of what many consider the greatest comic ever, but he’s still hailed as one of the greatest comics artists of all time to this very day.
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NEW HEROESONLINE SITE IS LIVE, BABY!

September 21, 2007 By: Dustin Harbin Category: DISCUSS, Heroes Aren't Hard To Find

I invite you to please go and check out the officially out-of-the-box new release of www.heroesonline.com/, which represents the last couple of months of work for a certain Creative Director. Please feel free to comment–especially if you notice any typo’s or other gaffs. Praise is of course expected welcomed, as well. Now that that’s out of the way, Todd and I will have a lot more time to watch Flight of the Conchords episodes. Finally.
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TOP TEN :: Best Comics Artists Ever :: #3 :: John Romita, Sr.

September 20, 2007 By: Phil Southern Category: DISCUSS

While Jack Kirby set the style for all modern comics, it was John Romita who established the look. He also had the unenviable position of following the greats of the comics industry: Kirby on Captain America and Fantastic Four, Steve Ditko on Spider-Man, and Wally Wood on Daredevil. I’ve heard many an old school fan decry Romita’s arrival on Amazing Spider-Man, with the seminal issue 39, as the end of the character. How could a romance artist, with the glossy and clean linework, replace a master of oddity and mood! This was quickly replaced with astonishment.

John Romita’s work, influenced by the great Milton Caniff, quickly won over legions of fans, making Spidey the preeminent Marvel superhero. He followed his run as penciler for Spider-Man as the embellisher on Gil Kane’s pencils, perhaps the greatest mesh of graphite and India ink ever produced. He established the popular look of Marvel’s characters in Spider-Man’s daily newspaper strip, and in almost all of their licensed material. Later, as Marvel’s art director, he guided the next generation of artists and continued Marvel’s incomparable “house style”. His hand is seen everywhere on covers from the ‘60’s to the ‘80’s, often offering the subtle changes that move a cover from good to great. John Romita is one of the most influential pencilers, and arguably the greatest inker, that comics has ever seen.

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