SPOTLIGHT ON NEW RELEASES :: NOVEMBER 16
Brian Azzarello and Cliff Chiang continue their acclaimed run on this classic hero with this week’s third issue. Aside from Azzarello’s unique inclusion of darker elements of mythology, it’s really hard to overstate just how good Chiang’s work on this book has been thus far. If you’ve never read Wonder Woman before, now is a great time to start.
Scott Snyder and Greg Capullo’s Batman has focused on the darkness of Gotham City, as well as Batman in his detective role. It’s also shaping up to be one of the more well-rounded runs on the book in recent years. The pair continue to delve into the mystery of the Court of Owls this week, and as in Snyder’s recent Batman: Gates of Gotham miniseries, will be uncovering elements of Gotham’s past as well.
The delayed fourth issue from Ed Brubaker and Steve McNiven finally hits stands this week. With Steve Rogers back as Captain America, this series has been looking to Cap’s past to help establish a new role for him in the present. It should be interesting to see how Brubaker’s other upcoming Marvel work will tie into this title. I’d like to remind everyone again about Fear Itself #7.1 that was released a few weeks ago. If you’re a Cap fan, you definitely should pick up that stand alone issue that will set up all things Cap leading into 2012.
The cover should give you a clue who will comprise the main Avengers lineup. With the Avengers film hitting theaters next year, it looks as though Marvel may be stabilizing this book and capitalizing on it as a place to build interest in their other potential film options. Regardless of all those possibilities, longtime fans will be happy to see Black Panther and Vision back in the Avengers picture. It’s also worth mentioning that Daniel Acuna has been turning out some really nice art over the past two issues.
Geoff Johns and Jim Lee introduce Wonder Woman to the Justice League with this issue. While Lee has crafted fan favorite runs on Batman and Superman before, he’s never really had the opportunity to illustrate the Amazonian Princess for more than a few issues at a time before now. It’s a safe bet to assume he’s been looking forward to telling a Wonder Woman story for a while, and this issue might be the start of it.
> Bonus Picks of the Week: Fear Itself #7.3, Paul Grist’s Mudman #1, Who Is Jake Ellis? TP, Nightwing #3, Incredible Hulk #2, John Carter: A Princess of Mars #3, and Bone: One Volume Color 20th Anniversary Sliplcase Edition.


























1) Daniel Clowes’ Death-Ray HC
this week also sees the newest book from Canadian cartoonist genius, Seth! The creator behind Palookaville, George Sprott, It’s A Good Life If You Don’t Weaken, and Clyde Fans examines the fictions and facts behind Canda’s comics history. Seth’s work is so effective largely because the lines between reality and fiction are so blurred. It’s Seth’s deft use of humor and an authentic writing voice that makes his work so beloved amongst fans of great comics. This new book should be another great addition to his already impressive catalog.
4) X-men: Regenesis #1
is elevating his status as one of DC’s top writers. While that book owes much to the horror genre, Frankenstein reads more like a love letter to classic monster movies. Featuring new twists on the myths of Frankenstein, the Wolfman, and other monster archetypes, this book seems quite accessible among DC’s new 52 titles. I should also mention the art of Alberto Ponticelli, whose work on Unknown Soldier might seem vastly different from his work on a monster book. That’s one of the real draws of the book for me, though, as it seems to represent the artist’s range and ability to work in very different aspects of the horror genre.

3) Hark! A Vagrant HC
and Rags Morales Action Comics met wth lots of acclaim. The idea that their Superman starts out as a brash, overconfident, naive hero suggests to me that their story will feature the humbling of the character over time. This isn’t necessarily an original idea, but most people think of Superman as a character who was always fundamentally good from the start. The thought of a Superman who has to grow into his role, abilities, and status is certainly an interesting one, and might provide opportunity for numerous new stories in the process.























