Author Archive

STAFF PICKS :: HAWKEYE #11 :: JUNE 26, 2013

June 21, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks

SETH’S PICK :: HAWKEYE #11: I’ve long extolled the virtues of Matt Fraction and David Aja’s Hawkeye on this blog, in the store, and just about anywhere else I get the chance.  If any of you caught the Hawkeye panel at HeroesCon, you probably saw why I (and so many others) enjoy this book.  There’s something unabashedly joyous about how these two creators continue to push each other’s creativity.  That iron-sharpens-iron mentality is on full display in this week’s issue #11. [Here’s a condensed version of all you need to know to appreciate this issue.  Hawkeye is about the avenging archer Clint Barton on his days off, when he’s away from his world-saving exploits.  In the first issue, Clint fed a dog some pizza.  That dog later saved his life, and was nearly killed in the process.  Clint then saves the dog’s life, and adopts him.  The dog’s collar showed that his name was Arrow, but Clint thought that was a little hokey, so he changed it to Lucky.  Still, Clint and just about everyone else know Lucky as Pizza Dog.] Getting back to that display of creativity that I alluded to earlier, this issue is told entirely from the perspective of Pizza Dog.  That means all the language in the book will be seen as a dog hears it, with only words he commonly hears highlighted.  This issue also deals more with scent thanks to Pizza Dog’s status as – you know – a dog.  All these things alone should pique your interest for this particular issue, but even more, David Aja’s work on this one suggests he not only read Chris Ware’s acclaimed Building Stories, but decided to channel it into a Marvel comic.  Needless to say, this is not only entertaining, but maybe even a little envelope-pushing.  With storytelling like this, it’s no wonder Hawkeye received 5 Eisner Award nominations this year.  I’m betting they’ll bring at least a couple home. 

Share

HEROESCON 2013 :: NEW STORE ARRIVALS!

June 17, 2013 By: Seth Peagler Category: DISCUSS, Feast Your Eyes, Heroes Aren't Hard To Find, HeroesCon, HeroesCon News, NEWS, Now Read This!

Every year during HeroesCon, we try to find time to run through Indie Island and pick up a few things we think should be in our store.  This year we managed to obtain a few excellent new items that we hope you’ll consider picking up during your next visit.

First up is an assortment of Michael Deforge books from our friends at Koyama Press.  Among them are Lose #2-4 and his newest collection, Very Casual.  Deforge’s art is interesting, trippy, and somehow still capable of appealing to all ages readers, as evidenced by his contributions to Adventure Time.

Speaking of Adventure Time, we stopped by Boom Studios‘ booth and picked up 43 – that’s right – 43 different covers from various Adventure Time comics.  More accurately, we picked up copies of Fiona and Cake #1-5, and Adventure Time (Finn and Jake) #1 – 16 plus copies of this year’s annual.  And, as I mentioned, there are multiple covers for many of these issues, including sought after ones by artists like Scott C., Maris Wicks, Joe Quinones, Stephanie Buscema, the aforementioned Michael Deforge, Jeffrey Brown, James Kochalka and more!

It wouldn’t be a HeroesCon if we didn’t stumble on a new small press book, and this year we found two from Galactic Press, a small Georgia-based company that introduced us to their books Galaxy Man and Hero Cats of Stellar City.  These are both fun all ages titles, with Galaxy Man offering up a twist on the Father/Daughter super hero team, and Hero Cats being…well…kind of self explanatory in its title.  We picked these up for our young customers, so if you’ve got young readers at home who are bored with the same old kinds of all ages stories, let them take a look at these during your next trip to Heroes.

As with every year, we had to stop by Adhouse Books.  Not only have they been a longtime anchor of Indie Island, and not only are they really great people, but they always have fascinating books on their tables.  This year we picked up another copy of the dense, epic masterpiece Duncan the Wonder Dog.  We’ve had this book in the past, but I couldn’t resist.  It’s really something to see and read, if you haven’t yet taken the plunge.

We also picked up copies of Pulpatoon Pilgrimage by Joel Priddy (outstanding cartooning), Bumperboy and the Loud, Loud Mountain by Debbie Huey(a fine all ages book), Ace Face: The Mod with the Metal Arms by Mike Dawson (another book with an aptly descriptive title), and Nobrow’s The Wolf’s Whistle by Bjorn Rune Lie and Co. (Think a European take on nursery rhymes filtered through the lens of Wes Anderson’s The Fantastic Mr. Fox).

Also at the Adhouse booth I saw recent works from the guys behind Tell Me Something I Don’t Know, one of our favorite comics podcasts.  We picked up signed and sketched copies of Jim Rugg’s Drawings 030413.  If you liked last year’s Notebook Drawings, you’ll love this new sketchbook.  Jim continues to impress us with the virtuosity of his work, and his latest offering Supermag only solidifies the fact that he’s one of the most diverse cartoonists working today.  His podcast-mate Jasen Lex also had some books on display, and we picked up copies of Henchman, Washington Unbound #1, and The Bottom Feeders #1.  He’s another creator with a seemingly natural sense of design.  While I didn’t pick up any new books from their podcast-mate Ed Piskor, I did see even more of his pages from his upcoming Hip Hop Family Tree.  You might remember my interview with him about it HERE.  Trust me when I say that this is not only the visual history of a revolutionary genre of music, but one of the finest examples of cartooning I’ve seen of late.  If you haven’t pre-ordered it yet, let us know and we’ll make sure you get a copy.

Finally, as Sunday was winding down, the talented Maris Wicks stopped by the Heroes booth and we made sure to pick up a few copies of her (and Jim Ottaviani‘s) excellent new graphic novel Primates.  This book focuses on the work of Jane Goodall, Dian Fossey, and Birute Galdikas, how they changed the science of Primate study, and brought an increased awareness to these astounding animals.

You can find all of these books and more in our store right now.  Thanks to all these companies and creators, and be sure to pick up some of these titles the next time you visit Heroes.

 

Share

STAFF PICKS :: BARNABY VOL. 1 HC :: JUNE 19, 2013

June 17, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks

SETH’S PICK :: BARNABY VOL. 1 HC: With the behemoth of HeroesCon taking all our time and energy in recent weeks, we understandably put our weekly Staff Picks on temporary hold.  That said, it’s good to be back writing about new releases.  Regular readers of the Heroes Blog know well that Andy Mansell, stalwart blogger and HeroesCon panel coordinator, is something of an expert when it comes to comic strip history.  You might think he’d be the one to talk about Barnaby, a long forgotten, under appreciated gem of a strip, but no, it’s me this time.

Barnaby started in the early forties, and ran for over a decade. It was produced by cartoonist Crockett Johnson, who is best known for his timeless masterpiece Harold and the Purple Crayon.  Though Harold is considered the classic, Barnaby received lots of critical acclaim in its day.  One look at it and you’ll see why.  To begin with, there’s the simple, fluid line work in Johnson’s art.  Then you see the intricate typeset letters, which Johnson produced with a kind of mathematical clarity – he knew exactly how many letters would fit on each line of a word balloon.  Then you have the subject matter.  Though the stories revolve around five year old Barnaby and his fairy godfather (along with a ghost, lion, and more), the seemingly whimsical strip dealt with important issues in a way that didn’t talk down to children.  Thus it’s one of those great strips that provided entertainment for young readers and their parents.

I had the pleasure of seeing a Barnaby panel at last year’s Small Press Expo.  Panelists included editors Eric Reynolds and Philip Nel, and cartoonists Chris Ware and Daniel Clowes, who helped contribute to the book’s design.  That panel got me excited about seeing this strip find its way to a new audience.  I’m not a huge reader of comic strips, but this one has numerous seemingly disparate elements in it that tie together nicely.  I hope some of you pick this one up and give it a try.

For a video tour of the book, check out this page on the Fantagraphics site: http://www.flickr.com//photos/fantagraphics/sets/72157633285033568/show/

 

Share

HEROESCON 2013: A LOOK BACK AT DRINK AND DRAW

June 13, 2013 By: Seth Peagler Category: Comics Industry, DISCUSS, EVENTS, Heroes Aren't Hard To Find, HeroesCon, HeroesCon Art Auction, HeroesCon News, NEWS, Now Read This!, Other Events, This Just In

This year marked my seventh year as a member of the capable HeroesCon management and organization team.  Every year there are countless little moments that make me (and the rest of the staff) happy to be a part of this incredible comics community.  This year, more than any other year, I was especially heartened and humbled by our 3rd Annual Drink and Draw.  It was at our first Drink and Draw back in 2011 that I met Richard Thompson, the genius cartoonist behind the award winning Cul de Sac comic strip.  It was Richard for whom Team Cul de Sac started, in an effort to raise money for Parkinson’s research.  And it is Richard’s humor, humility and general kindness that made us want to continue to do more to battle this disease.

This year, thanks in part to a spacious new venue (the Hilton), an appropriately Southern soundtrack from Jack the Radio, and the creativity of professional and amateur artists alike, we raised over $7,000 for Team Cul de Sac and the Michael J. Fox foundation!   The combined total from money raised in the first two years was under $3,000, so that alone should let you know the extent to which our fundraising increased this year.

Planning for this year’s Drink and Draw began earlier than ever before.  Team Cul de Sac founder Chris Sparks, my wife (and fellow Drink and Draw organizer) Heather and I had a few meals together in Asheville this past Spring, and talked at length about what we could do to bring even more money and awareness to Team Cul de Sac at HeroesCon’s Drink and Draw event.  Chris took those brainstorming sessions and turned them into original art from Patrick McDonnell (Mutts), Jim Borgman (Zits), Mark Tatulli (Lio), Roger Langridge (Snarked), and more, all for us to auction at the Drink and Draw.  In addition to these pieces, Chris brought an Art Spiegelman signed and sketched edition of Maus, and Bill Watterson signed editions of The Complete Calvin and Hobbes and Team Cul de Sac: Artists Draw the Line at Parkinson’s.

With all the art produced and auctioned off at the Drink and Draw, we not only raised a sizable donation for Parkinson’s research, but sent a strong message that the philanthropic efforts at HeroesCon have never been more vibrant than they were this year.   I look forward to working with Chris to bring even larger things to HeroesCon 2014’s Drink and Draw.

Thanks to all the fine volunteers who continue to come back every year to help us run the event (Heather Peagler, Brian Purvis and the rest), all the artists who still draw for us after a long day on the convention floor, and everyone who donated money for the various pieces produced that night. Thanks to Chris Sparks for his perseverance, Richard Thompson for his ever-present inspiration, and Shelton Drum for giving us so much time and space at HeroesCon to continue to raise money for this worthy cause.

If you’d like to continue to support Team Cul de Sac throughout the year, please visit them HERE.  The battle against Parkinson’s disease needs more than just our annual event to help fight it.  We hope to see you next year at Drink and Draw.  We’ve already started planning, so trust me when I tell you – HeroesCon 2014 is going to be bigger and better than ever!

Share

DRINK AND DRAW AT HEROESCON FRIDAY NIGHT!

May 30, 2013 By: Seth Peagler Category: DISCUSS, EVENTS, HeroesCon, HeroesCon News, NEWS, Schedule

If you’re attending HeroesCon next weekend, we want to remind you of what has become one of the highlights of recent year’s cons – our Drink and Draw event.  Inspired by the original Drink and Draw Social Club (founded by Dave Johnson, Dan Panosian and Jeff Johnson), this is a laid back event where anyone can sit down, have a drink, and create art alongside countless comic artists and fans.  The great thing about the Heroes’ Drink and Draw is that much of the professional art produced is auctioned off that night at the event itself, with all the proceeds going to charity.  Amateur artists can also enter their work into art contests that night, with the possibility of winning art supplies and products from our friends at Jerry’s Artarama, Prismacolor, and Artograph.

For the third year in a row we are happy to be donating all of the proceeds to Team Cul de Sac, a fantastic group that raises money and awareness for Parkinson’s research.  The Heroes family became aware of this organization when our friend Richard Thompson (the brilliant cartoonist behind the critically acclaimed Cul de Sac strip) was diagnosed with the disease.

Team Cul de Sac’s founder Chris Sparks has assured me that he’s bringing some incredible items to auction off at the Drink and Draw and throughout the con, including gems like an Art Spiegelman signed/sketched copy of Maus and Bill Watterson signed editions of The Complete Calvin and Hobbes and the Team Cul de Sac book. He’ll also be bringing original art from the likes of Mark Tatulli (Lio), Patrick McDonnell (Mutts), Jim Borgman (Zits) and more to auction Friday night.  Bidding on the signed/sketched Maus edition will take place all day on Friday at Team Cul de Sac’s table, and resume and conclude at Drink and Draw.  Similarly, you can bid on the signed Complete Calvin and Hobbes at Team Cul de Sac’s table, with bidding concluding at our annual Art Auction that night.  These are truly rare items, and HeroesCon might be your only opportunity to pick them up.

This year’s Drink and Draw will be at a new location, the Hilton Charlotte Center City.  As with past years, the event kicks off on Friday at 7:30 and lasts until there’s no one left drawing.  In addition to being one of our host hotels, the Hilton is close to the Convention Center (at 222 E. 3rd St.), and has spacious indoor and outdoor bars that will make this year’s Drink and Draw our largest to date.  Another new element at this year’s event will be live music provided by Jack the Radio.  They’re a Southern-Indie band from Raleigh comprised of several comic fans and artists, and we know they’ll add to the experience.

The Drink and Draw event hearkens back to HeroesCon’s long tradition of charitable involvement.  If you attended the Con in past years, you might remember the numerous blood drives and work with the Firefighters Burned Children Fund.   The Drink and Draw offers everyone who comes to the Con an opportunity to kick back and create some art in a fun atmosphere.  Make it a point to be at the Drink and Draw, pick up one of these remarkable pieces, enjoy the comics community at large, and most importantly, raise money for a worthy cause.

 

Share

HEROES INTERVIEW :: ED PISKOR

May 14, 2013 By: Seth Peagler Category: DISCUSS, Guest List, HeroesCon, Interviews

With HeroesCon less than one month away, I’m happy to bring our blog readers this interview with the talented Ed Piskor.  Ed’s already had a notable career, including work on original graphic novels like Wizzywig and collaborations with Harvey Pekar on The Beats and Macedonia.  You may have heard industry rumblings about Ed’s newest project, Hip Hop Family Tree.  Aside from being one of the most comprehensive sequential studies of a genre that’s ever been undertaken, it’s a work that’s already receiving due respect and acclaim from both the comics and music communities.  Make sure to stop by Ed’s table next month at HeroesCon and see why everyone’s talking about this book.
Seth Peagler (SP): Ed, I’ve known you for a few years now, and it seems like every time I’ve run into you, we’ve talked a little bit about this book-in-progress.  Through those conversations and preparing for this interview, I realized that Hip Hop Family Tree is something you’ve been living with and building toward for a long time.  How long do you think you’ve been consciously or subconsciously developing this book, and what made you want to collect it in this format now?
Ed Piskor (EP): I’ve been drawing comics incorporating classic Hip Hop imagery for as long as I’ve been drawing comics. I remember some of my earliest comic attempts in High School were like Hip Hop wannabe versions of Love and Rockets. Looking back at old interviews and stuff I found this interview from 2009 where I talk about wanting to do a Hip Hop comic. http://www.post-gazette.com/stories/ae/books/ed-piskors-graphic-novel-creates-sensation-among-genres-fans-346662/
“While working on “Wizzywig,” Piskor listens to old school hip-hop music  for inspiration. When “Wizzywig” wraps, his next big project will be a  history of hip-hop that focuses on the Boogie-Down Bronx and DJ Scott La Rock. He promises it will be exhaustive.”
Because it’s going to be an all encompassing and comprehensive work, it’s going to take forever to tell the entire story the way I want it to be told. In this day and age of the ADHD internet attention span, I felt it best to produce maybe one book a year to keep up a presence. Otherwise, I’d have to disappear for a decade and emerge with a doorstop of a comic, and that’s not quite sustainable or necessary. Some eras are more important to some people than others. A 100+ book per year feels right.
SP: A big part of the draw of the book for me is that you’re going back to the real roots of Hip Hop and tracing its progression over the years.  Even though I know you’re a fan, did you consult many sources outside of the music?  Are there many definitive histories of Hip Hop that you could even consult?
EP: There were some interesting things to look at while writing the book. It’s necessary to know the political/economic climate at the time. The fine art scene plays an integral role in the development of early Hip Hop as well, which many people might not know. If it wasn’t for the downtown scene gravitating toward graffiti culture it could have all died out in the early 80s.
There are several good books to reference out there, but, there are also 30 years of interviews with everybody who matters which are accessible either online, in magazines, or youtube. My goal is to take all the best stuff I can find from everywhere and distill it into a fun comix narrative. A tough goal, but, it’s what I’m shooting for, nonetheless.
SP: Along the way of writing and drawing the book, did you stumble across any lesser known artists whose stories you felt you needed to include?  Since it’s essentially a history of the genre, did you feel compelled to tell it chronologically, or did you allow yourself to veer from that path at any point?
EP: Being a fan of Rap music already, this project gives me the chance to fill in the gaps of my knowledge. I’m not necessarily discovering new people to cover, but, I’m discovering what makes certain, more obscure people, important in the greater scheme of things.
This first book is fairly linear but we’re going to veer off and project things into the future here and there as the project moves forward, because I will be talking about certain people who may not have contributed much in, say 1982, but went on to do great things by 89 and if we handle it linearly, you’ll have forgotten their intro. Not sure if that makes sense. I guess the best example would be one of the newer strips I’ve done which will be in book 2, about the Jonzun Crew. http://boingboing.net/2013/04/23/brain-rot-hip-hop-family-tree-55.html
SP: As a musician and someone who is just starting to write comics that incorporate elements of music within my stories, I’ve run into some difficulty conveying the gravity of rhythm and melody on a page.  I’ve seen several of your pages where you seem to not only capture the energy of specific artists and their charismatic stage performances, but also convey the communal aspects of an impacting live show.  How did you go about capturing the specific musical identities of these performers through the art of comics?
EP: During such sequences the characters need to be larger than life and maybe even downright Kirbyesque if/when possible. The Hip Hop Family Tree, however, is more about the actual relationships that went into creating hip hop rather than just focusing on the music.
SP: I’d like to bring up one of your earlier books, The Beats.  For those who aren’t familiar with it, in it you collaborated with the late, great Harvey Pekar, one of comics’ true innovators of journalism and memoir.  Of course, the Beats chronicled historical and cultural figures within the Beat movement, but I’d imagine you learned a lot from working with Pekar on that specific book that might have been beneficial for you on this project.  Were there any memories of collaborating with Pekar that resonated with you while you worked on Hip Hop Family Tree?
EP: I think working with Harv on The Beats gave me a strong clue into how to move the narrative along. Between each panel, days, months, or years can go by, and deconstructing Harv’s work gave me a roadmap for how to keep things tight. How to choose the correct moments to cover. Things like that.
SP: From what I’ve seen and read, Hip Hop Family Tree kind of stands alone as a unique chronicle of music in comics form.  I’m excited that Fantagraphics is publishing the book, and I know you’re already receiving critical praise from comics journalists.  Have you had much feedback from Hip Hop artists and journalists who cover the music?
EP: Yep, my phone number now seems to be within a network of rappers and journalists because I will randomly get calls from people at any hour of the day or night and it’s always a pleasant surprise. I don’t want to be a name dropper though. Everybody seems really into it and it’s creating a situation where I’m able to get some precious info that will enrich the story and that’s a cool bi-product that I wasn’t expecting. It’s cool too when different musicians tweet the strips. It helps propagate the material and spread the work.
Now that I have a handful of really cool people into the comic, whenever some random schmo has silly stuff to say, it gives me ammo to cut them down like “Oh that’s too bad you don’t like it, as long as “x” likes it, I guess I’ll just have to deal with that.”
SP: Finally, I’m wondering if you’ve allowed yourself to think about what kind of project you might want to work on next?
EP: Another thing about this project is that with the scope of the story I’m trying to tell, I know what I’m going to be working on for the foreseeable future.
SP: Thanks again to Ed for taking time out of his busy schedule for an interview.  Make sure you make it a point to stop by his table next month at HeroesCon.  His original art is something you’ll definitely want to see.  Remember to pick up Hip Hop Family Tree when it hits the shelves.  Rest assured, myself and other Heroes staffers will be talking about it when it does.
Share

STAFF PICKS :: JETPACK AND ROCKET EDITIONS :: MAY 8, 2013

May 07, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks

SETH’S PICK(s) :: JETPACK AND ROCKET EDITIONS: In perusing the list of the week’s new releases, I couldn’t help but see a theme.  Thus there are three books I’m recommending, all bound by their common thread of including jetpacks and rockets among their subject matter.  First up is Tom Gauld’s latest, You’re All Just Jealous of My Jetpack.  This is a collection of Gauld’s single page strips from the Guardian, and a fine place to start reading his work.  Whereas in books like Goliath you see Gauld’s fine line work on display, from what I’ve seen of this book, you get an even greater sense of his skill at humor writing.

Secondly, it wouldn’t be a Jetpack and Rocket edition of staff picks if I didn’t mention my favorite, The Rocketeer.  This week wraps up IDW’s latest mini series, Hollywood Horror.  Like the two volumes of Rocketeer Adventures and last year’s Waid/Samnee Cargo of Doom miniseries, this one has plenty to be happy about.  With Roger Langridge and J. Bone at the helm, if this series doesn’t make you want to go re-read Dave Stevens’ classic Rocketeer stories, you may not have a heart.

Finally, though you won’t find it on the New Releases section of our website, I am excited to remind you about a new book by a talented local creator.  Stan Ford’s Jet-pack Jenny and the Factor of 01 just arrived in the store last week, and it’s a new book you should pick up.  Stan’s a longtime member of Sketch Charlotte, and has always impressed me with his skills as an inker and storyteller.  There are also lots of extras in this one, like pinups and process pages.  It’s well worth your time.

Share

STAFF PICKS :: MISTER X: EVICTION #1 :: MAY 1, 2013

April 30, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks

SETH’S PICK :: MISTER X: EVICTION #1: It’s true that this Saturday is FREE COMIC BOOK DAY, and while you know we’ll have plenty of quality free comics to give you, I’d encourage you to ease through the crowds and find this book on the genre side of the store.  If you don’t know about the character or any of Motter’s work, I’d encourage you to give it a look.  When Mister X appeared in the early eighties, it brought several novel elements into American comics, like art deco design, stylish noir, and even German Expressionism.  Beyond the book’s intelligence, just look at a list of its contributers (Jaime Hernandez, Seth, Dave McKean and more) to find reasons to read this title.  It’s a beautiful book that continues to deliver strong stories and design.  This first issue of a new miniseries is a great place to learn about the character, as is the recent Mister X: Hard Candy one shot that collected new Motter material from Dark Horse Presents.  And if scholarly comics don’t do it for you, there’s always Hawkeye #10 out this week.  It just so happens that this issue is the first of the series to feature art from Francesco Francavilla, who will be among the guests at Heroes for the FCBD excitement this Saturday.  Get him to sign a copy and a few of his excellent Black Beetle issues while you’re at it.

 

Share

STAFF PICKS :: EAST OF WEST #2 :: APRIL 24, 2013

April 19, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks

SETH’S PICK :: EAST OF WEST #2: Alongside the excellent new book Five Ghosts: The Haunting of Fabian Gray, East of West is reminding readers that Image is producing some truly interesting books these days.  It’s something of a post apocalyptic tale, though I feel like that limits it in some way.  When I read the first issue my initial thought was that this is an idea Jonathan Hickman must have been saving for a creator owned book.  It’s got all the scope and intrigue of his Marvel work, but like his other Image title, Manhattan Projects, this one seems like he’s able to stretch out a little more.  Hickman’s scripts are brought to life by Nick Dragotta, and while they’ve collaborated before this project, they seem to be working even more to each other’s strengths this time around.  And don’t feel bad if you missed the sold out first issue – a second print of it will also be available this week.  There are plenty of reasons why so many of us on this blog and other sites are talking about East of West.  Pick up both copies and see why.

Share

STAFF PICKS :: NOVA #3 :: APRIL 17, 2013

April 16, 2013 By: Seth Peagler Category: DISCUSS, Staff Picks


SETH’S PICK :: NOVA #3
:  Like many of us who grew up reading comics, I freely admit that I’ll always have a soft spot in my heart for the characters I loved when I was a kid.  You might have even heard me in the store extolling the virtues of the nineties comic, New Warriors, which was one of those books I loved.  I say all that to say that even though this new Nova isn’t the same one I grew up with, I knew I’d give it a shot.  What has surprised me about this new book is how much it reminds me of the innocence of old Marvel Comics.  I’ve never been a diehard fan of Jeph Loeb, and while I’m not blown away by everything he’s doing on this series, it seems to me that he achieved exactly what he set out to this time.  It’s all about recapturing that innocent young hero for new readers.  It’s made all the better by the art team of Ed McGuinness and Dexter Vines, who are as reliable as ever.  It’s old school Marvel cosmic characters for a new age, and it’s actually quite fun.

Share



  • heroes on facebook heroes on twitter heroes on flicker




    Click Here To Help Support The Creators That Make Comics Possible!



  • www.flickr.com